mark zucker

In his fall 2009 newsletter CEO and President of Zookbinders, Mark Zucker published an article that inadvertently ruffled more than a few professional wedding photographers feathers. If you’re a DWF PRO member you can read other members opinions in this thread but the gist of the discussion goes something like this.

They want me to lower my prices? And still buy their product! Say what…?!?

Of course that’s general paraphrasing but having known Mark for quite a few years I thought it only fair to ask him for some clarification on a few points for the benefit of our readers.

DWF – Your most recent Zookbinders newsletter article, “Your Business Needs to Lose 1,000 Pounds” has caused a bit of a ruckus in the wedding photography community. Most of the stickiness surrounds the arbitrary pricing model you describe.

The key is to repackage your services to include image files with a basic album order at a competitive price of $1,500 and make the same profit as you did at $2,500.

Would you like to clarify your numbers and the point you were trying to make for our readers?

Mark Zucker - Since the advent of digital, there’s been an increasing amount of pricing pressure each year. Several years ago, a professional photographer with pricing starting at $2,500 was in the game. Today, there are “shoot and burn” photographers advertising on Craig’s List to shoot a wedding for a few hundred dollars. When a prospective bride sees: $500 vs $2,500….the higher priced “full service” photographer is going to get less calls. The “losing 1K lbs” is a way of saying that if you’re pricing started at $1,500, the likelihood of staying in the game is much higher. The way to get there is to do a deep dive into all of your expenses and ask yourself: how important all of your costs are to the client. One suggestion was to work out of your home which will dramatically reduce your overhead and allow you to get to that $1,500 price threshold. Another way to reach a lower price threshold is to develop a no bells and whistles package with or without an album/photo book with a limited number of photos taken at the event.

DWF – It seems to me that your article is specifically geared towards “Shoot-n-Burn” wedding photographers. Can you describe in your own words what is a shoot-n-burn photographer?

Mark Zucker – We define a “shoot & burn” photographer as someone who “shoots” the job (a wedding), “burns” a disc and delivers it to the bride. This photographer is generally a ‘hired gun’ who has no interest in designing or producing an album.

DWF – You give us a rather scary estimate in your article, “reality, I estimate that the shoot & burn marketshare will reach 75% by the end of 2010″. Can you elaborate on how you come to that conclusion?

Mark Zucker – All day long we talk to photographers and they tell us how their business is performing compared to the prior year. Right now, the vast majority of photographers are doing less work than last year. This is a trend we can trace back 6-7 years. A typical professional photography business that shot 40-45 weddings per year pre-digital has watched their numbers drop to 15-20 per year…..AND at lower prices. There’s also a growing trend among “full service” photography businesses that are now offering “shoot and burn” services. This is the highest growing segment for many of them.

DWF – You also note that “Full service is not dead”. As a full service photographer, what can I do to make sure my boat remains afloat in the changing world of wedding photography?

Mark Zucker -

  1. Make sure you strip out all of the “waste” in your offerings so that your clients aren’t paying for services that they don’t see value in. For example, the average bride buys 100-120 photos for her album. This has increased slightly from the pre-digital days in which the average bride purchased 80-100 images. The dark side of digital is that film photographers shot 400-600 images to sell 80-100, and digital photographers shoot around 2,000 to sell 100-120. To summarize, by shooting an additional 1,400 – 1,600 images, today’s photographer sells 20 extra images. More importantly, the manpower to edit the extra images has not helped. This has created a lot of “non-value added” work for the photographer.
  2. Improve your marketing skills. With the landscape being as competitive as it is, it’s not the best photographer that gets the call…but the best marketer. If this is not a strength, you’ll need to seek outside help. 3) Follow up with clients – call ALL clients you’ve done work for in the past and ask for referrals. If your client was satisfied with the overall experience, they should be willing to help spread the good word.

DWF – Care to share or clarify anything else.

Mark Zucker – Our goal at Zookbinders is to help professional photographers. We do this by not only producing quality products, but by sharing the ugly reality that we’re in……and offering solutions to stay viable. While we understand the delicacy of the situation, we also know what changes we’ve had to make to stay viable in a changing and rapidly shrinking industry. We just launched the PhotoBook Plus in August which is top quality bridal book that sells for $150 – $250. We saw that the days of the photographers buying $300 – $500 was diminishing and developed a new product that looks 85% as nice as our top of the line Zook Books, yet sells for half of that. What we’re hearing from photographers is that we hit a Home Run by filling a need – nobody wants to dummy down their quality…but by removing some bells and whistles (gilded edges, rounded corners, silver halide paper), we were able to shed 1,000 pounds and bring to market a product that perfectly answers the call of “good quality, lower price”.


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